The gnawing fear I have about trying to sum up the life’s work of history’s most important composers is the certainty that I have left something very important out. But, at least with Bach, I have no such concerns because up today is Bach’s titanic Mass in B minor. I am not even going to … Continue reading Credo in unum Deum
Tag: The Conversation
Magnificent Choices
Fellow blogger BigMikeHouston of Classical Music with Big Mike (https://classicalmusicwithbigmike.com/) wrote this week about the singificant differences a conductor's interpretation can make on how the music sounds. He's absolutely right. And his observation gave me the idea of talking about the Period Instruments Movement, derided in some circles as being too egg-headed. Let's see if … Continue reading Magnificent Choices
Music History, by Guitar
Classical guitarists get comparitively little consideration and wrongfully so. We will have much to say about the classical guitar, particularly when we get to Benjamin Britten much further down the line. Compared with rock gods and jazz freaks, classical guitarists operate in a world where they are largely shunned by classical audiences and ignored by … Continue reading Music History, by Guitar
Bach’s Motets
I have recounted many stories in this blog, some of which have been proven to be apocryphal. This one has the benefit of being absolutely true. One Sunday morning in 1789, the boys' choir at St. Thomas in Leipzig, Germany shuffled to their feet to sing a dusty old motet that had been in the … Continue reading Bach’s Motets
Bach, The First Jazzman?
In the film High Society, Bing Crosby takes to the stage to educate "the great and the good" of Newport about the basics of jazz: Take some skins,Jazz begins,Take a bassSteady pace,Take a box,One that rocks,Take a blue horn New Orleans-born.Take a stickWith a lick,Take a bone,Dixie-grown,Take a spot,Cool and hot,Now you has jazz jazz … Continue reading Bach, The First Jazzman?
A Gertus History of Music 