In opera singers express their emotions directly to each other and indirectly to the audience—the fusing of drama between singer and audience is what powers opera to this day. And this is where it began, in earnest, with Monteverdi’s late opera Poppea, which was premiered to a paying audience in a public theatre. No more … Continue reading Late Monteverdi
Tag: Monteverdi
More Monteverdi: A Prayer on the 20th Anniversary of 9/11
As it was in the beginning, is now, and ever shall be, without end. It is a wonderfully cool morning in NYC. Perhaps that’s what triggered it in my mind -- it was that nearly imperceptible hint of fall that did the trick. 9/11. It had been the same 20 years ago: 9/11/01 was just … Continue reading More Monteverdi: A Prayer on the 20th Anniversary of 9/11
Baroque Music I: Claudio Monteverdi, Part II, The Birth of Opera
The genius who birthed the Baroque was, as previewed last time, the great Renaissance composer Claudio Monteverdi. Its birthplace was Florence, and the medium was opera. Opera was midwifed in the Florentine Camerata, that group artists, philosophers, musicians, poets, and intellectuals at the end of the Renaissance who debated and studied the arts. I previously … Continue reading Baroque Music I: Claudio Monteverdi, Part II, The Birth of Opera
Interlude: A Happy Accident
As we are wrapping up the Renaissance with Monteverdi breaking from the strict Palestrina mode of composition, I am editing future entries on Jean-Philippe Rameau, whose 1722 treatise, Traité de l'harmonie réduite à ses principes naturels, set forth the rules that would govern composition for the better part of the next 200 years. And, as … Continue reading Interlude: A Happy Accident
A Gertus History of Music 